I started to create these sound-pictures from a desire for a new way of constructing and articulating through sound. The basic building-blocks of time, pulse, pitch and timbre form a musical language in which relationships between its component parts are free and spacious. This reflects a contemporary need for harmony in its broadest sense – the ecology between us as humans and in our relationship with the natural world and the planet. The pieces have an abstract, ambient quality. In some ways they are like film music. There are also echoes of the intertwining threads of Medieval polyphony and the sound-world of electroacoustic music.

I recorded all the sounds live, and then put them together and edited them on the computer. Some sounds are instrumental or vocal, others from nature or the urban landscape. There is a sense of architectural structure which emerges during the process. Putting them together is like creating a sonic sculpture, which ‘hangs’ in time.